Monday, March 21, 2016
Monday, January 25, 2016
Originally from Brodnica, Poland, she earned her B.F.A. from the Milwaukee Institute of Art and Design. She continued studies at Purdue University, where she earned an M.A., followed with an M.F.A from the Tyler School of Art, Temple University. While at Tyler, she spent a year studying in Rome, Italy.
She has completed residencies at the Center for Contemporary Printmaking in Connecticut, the Frans Masereel Center in Belgium, the Cork Printmakers in Ireland and the Women's Studio
Workshop in New York. Solo exhibits include Liminal Passages at Longwood College in Virginia, The Distance Between at the Limerick Printmakers Gallery in Ireland and Contain/Retain at the
Cocoon Gallery in Kansas City. Currently Monika teaches at University of the Pacific-Stockton, CA
Tuesday, November 10, 2015
Monday, November 2, 2015
Missoula's Annual Day of the Dead Parade is tonight (NOVEMBER 2nd)
and will once again be lead off by the UM printmakers and their fabulous Steamroller Prints.
Large scale woodcuts printed this year as part of the 15th Annual Day of the Dead Steamroller Print Project will be on display.
Parade kicks off at 6:30 pm beginning at the red X'x at the end of Higgins Avenue and ends in Caras Park.
Pre-parade festivities begin at 5:00 pm.
Saturday, September 26, 2015
John Buck will be speaking at the MAM this coming Friday night at 7:00. (Oct 2) And again on Saturday (Oct 3) at 1:00.
John Buck lives in Montana and Hawaii and has shown his woodcuts and sculptures widely. He created a major bronze sculpture commission for Lewis and Clark College, Portland, Oregon. His work is in the collections of The Art Institute of Chicago, The Brooklyn Museum, The Museum of Modern Art, The San Francisco Museum of Modern Art, The Seattle Art Museum, The Library of Congress and many others.
John Buck : Born in 1946 , Iowa : Lives in Bozeman, Montana
John Buck is both a sculptor and a printmaker. He works with two interrelated bodies of work: carved wood, assemblage and bronze sculptures, and large, multicolored woodblock prints. Since beginning his collaboration with Bud Shark in 1983, Buck has explored the expressive possibilities of woodblock in more than 40 different prints.
Using a pen, a nail or his fingernail, Buck incises the wood planks that form the base and background of his prints with images and symbols drawn from the daily news, from his own sculpture and from nature. Embedded in this active visual field is a large, carved image, often a figure, but he has also depicted a jar full of fireflies, an eagle, or a subtly colored moth. The relationship between these two elements first engages the viewer in an appreciation of the beauty of the graphic quality in the print and then begins a conversation about our world and our place in it.